This is my second painting done using the basic technique I learned in Jane Spakowsy’s last workshop. In general, I like it. I can see that I am making progress in skin tones and shading, though that is still a challenge for me. I really wanted the background to be more of a deep maroon, but when I did the final sanding, with all the underlayers it became this more reddish brown color. I do like how all the texture underneath shows up well. This is the finished piece and a detail picture:
Here are some of the process pics:
The only thing I may still do to the final piece is change the eye reflections a bit, as I seem to have a lost a bit of the “looking right at you” quality. In some ways, I almost always prefer the “almost done” stages when I look back on them. They are more raw.
My influences in this piece were, of course, Jane, and also Klimt for the gold. Although I wasn’t thinking about his work when I did the painting, if the portrait reminds me of the work of any Master type, it would be William Waterhouse (without the bright trueness of his colors.)
My natural style is obviously somewhat realistic. Whenever I try too hard to achieve a more quirky look or the more skewed realism of modernism, it hasn’t worked all that well.
This will be the first real painting that ever leaves my house and will live on someone else’s wall.