This is the finished painting on my hand carved stamp test page. I got the look I wanted for it (with the Chagall/Kendrick plus a Modigliani/Klimt influence) and I integrated my hand carved stamps into it. That was the assignment, and I completed it. I am not yet rebelling against the Inner Instructor (a new alter-ego, I guess) who is telling me what to do.
I used the hand carved stamps, block printing ink, gesso, acrylics, Neocolor II water soluble crayons and decorative rice paper. I don’t think these colors are perfectly accurate, but they are close. It’s somewhere between the image above and the one below. The purples are more red in real life, like the final image, which is taken in odd light and is a few steps before completed.
Obviously, I’m not good at setting the white balance on my new camera, but if I had to choose, I would say that image three is the most accurate, but still not perfect.
In general, I like this painting. I think it is simple and also simplistic as far as being pretty much totally unoriginal. I feel like it needs more village elements but I didn’t want to put another house right under her chin and couldn’t think of anything else. Maybe a clothesline or something would work. I don’t like floating images even though Chagall could pull them off. My skin tones always need work, in my opinion, although something about the mask look appeals to me. The gold pattern in the back is a slight Klimt influence and it is my hand carved repeating pattern stamp, printed in gold acrylic. Also the hand carved corner stamp can be seen here in the background.
This is the second or third time I have put circles in the hair and/or scarf of a drawing or painting. I guess it is a repeating motif for some reason, which reminds me of the mosaics of Empress Theodora:
I don’t know whether I should say that the stamp carving lesson ends with the completion of this painting, because I definitely want to carve more stamps. I don’t really love painting patterns like Matisse, but I think I would enjoy carving patterns and incorporating them that way. It’s also a good way to get gold in, which I almost always like to do. In fact, what this painting needs in order to be finished are some gold dots.